From “ghetto kid” to internet dance sensation and highly sought-after performer—that’s Lil’ Buck’s career in a nutshell.
As a boy he practiced his pointes (in sneakers) until his feet bled. Now he works with Madonna and Yo-Yo Ma. His version of The Dying Swan, combining classical ballet with jookin, has had millions of views on YouTube. Jookin developed in the 1980s, in the underground hip-hop scene in Memphis. The dance combines bouncing movements with slides and turns on the toe, executed with a deceptive light-footedness. It echoes the flowing movements of the roller disco, where Lil’ Buck and his peers hung out.
For director Louis Wallecan and his team, Lil’ Buck returned to this location, and other places from his youth, such as the parking lots where he and his friends used to dance, his ballet school, and his mother’s home. In addition to archive material and interviews, the film includes many dance scenes on location, against the backdrop of the deserted sidewalks and alleyways of Memphis.
The movie will be introduced by a dance performance. Babet Fernandez (Meervaart Studio) has put together a choreography which revolves around diversity, femininity and will express the diverse grounds of hiphop.